thing (except C and F, but they don't have black keys to lean to. • Level of difficutly : seventh easiest in the book (out of seven, ha ha). • Again the numbers in the. written by Jon Schmidt. (from the album Walk in the Woods) simile. | bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb. Pedal ad-lib. Having this underlying. Jon Schmidt has quickly become well known in the Salt Lake area, where he a local PBS station and "A Jon Schmidt Christmas" which has fast become a.

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Jon Schmidt Pdf

Print and download in PDF or MIDI All of me - Jon schmidt. Free sheet music for Piano. Made by Ghtime. Print and download in PDF or MIDI Waterfall. I found there weren't many Waterfall sheet music composed by Jon Schmidt – 1 of 7 pages. Waterfall sheet music. Jon Schmidt - Piano Solos Vol. mtn-i.info - Free download as PDF File .pdf), Text File .txt) or read online for free.

Jon Schmidt, Pianist, Composer, and Entertainer has a refreshingly unique style that is difficult to pin down. Just when you think you have a reflective New Age Pianist, hell do a back flip off the piano bench, throw himself under the keyboard and play ragtime with his hands crossed. The style in which he sometimes plays makes you think of Billy Joel, but then suddenly hes Victor Borge. Born to German immigrants who raised him on the music of the masters, Jon was already playing Mozart Sonatas and composing his own music by age Hours a day at the piano, however, did not stop him from being well-rounded. He was captain on the varsity football team, the class clown, and the kid at school that got along with everyone. This could be why people often use the term well- rounded to describe his performance. A rare combination of sincerity, comedy, charm, high energy, and aw- shucks manners immediately endears him to the audience. His unusually warm rapport makes you feel like hed love to go catch pizza with you after the show. Orchestration is used sparingly to highlight his piano arrangements, which are always interesting and provocative. Schmidts original style combines Classical and New-Age sensibilities with Pop-style elements of hook and melody, or the simple genius of melody," to use Schmidts words. He is also noted for his distinctive treatment of harmony, counterpoint, and rhythm. These elements give his music a definite signature, one in which the fun, the sincerity, and the warmth of his personality all find themselves revealed. Also reflected, in the words of an early write-up, is depth:

Make sure the tempo on this easy part matches the tempo of the hard parts. Guidelines for getting a good gliss: Use thumb nail going down, fingernails going up.

Use the pedal 3: Don't worry about the exact note you start and end on. The general idea is all you are after If you do glissando, it is quite musical to substitute playing the last chord with sitting on the keyboard as an exclamation point for your final descending glissando. To me this song takes you on a little journey.

Game Day Jon Schmidt PDF | Leisure | Entertainment (General)

Much like a child is taken on a journey as they listen to a story at bedtime. The end of this song makes me think of tucking my own sleeping child in, turning off the light and sneaking out the door. Step 1: Count to 3 in each measure count with a beat of course Step 2: Plug in this formula: In fact this song is plain terrible if it is rushed.

With a slow lazy feel that doesnt rush a message from the department of redundancy department copyright 1. If you ever go to Cheesecake Factory, get the Thai chicken wraps. Theyre yummy!!

I play this song as if I were a drummer and the piano a set of drums. The first part is a little tedious from a counting standpoint. So I suggest learning measures first. As in Prelude, using a strong underlying 2 beat accent in each measure makes it a lot more fun to play. Let the off beat feel stronger than the down beat. I strongly suggest listening to how this song sounds on the recording at mp3.

My style of writing often anticipates the chord changes.

Trust me, these anticipations sound much better at regular speed. Some people enjoy trilling the C with the right hand and the E with the left hand. A double trill! You can either be done or ad-lib a fade similar to what I do in the recording. The right hand can change. This song is dedicated to the unbelievably great guys under whom I had the privilege of being coached at Highland High School in Salt Lake City: Roger Dupaix, Tom Kingsford, and especially Larry Gelwix who took our rugby team to the high school national finals.

All note infractions will result in a five yard penalty.

As with "Cant Help Falling in Love," using a strong underlying 2 beat accent in each measure makes it a lot more fun to play. And of course F and C, but we wouldn't be tempted to flat those now would we. Flag for inappropriate content. Related titles. Jump to Page.

Search inside document. Prelude in C Helpful Hints: Pedal ad-lib, except where noted 3 5 6 5 a tempo rit. This song flows kind of nice with a subtle accent on beat 1 and 3: Prelude Bring out the melody 13 First Timers: This little deal means hold as long as you feel like it.

If you would like this song to sound horrible, simply rush the tempo a bit. The right hand can change and finish with these notes: End 8va 8va 8va Trey Yu.

Ben Streeter. Alex Mottershead. Katerina Volos. Katharine Fertig.

Jon Schmidt Piano Solos Vol 1

Chay Chye Dreamzxc. Hannah Stoddard. Soon Kun Ming. River Wu. Lukas Regino Donato. Rolan Dave C.

Waterfall (Sheet Music Download)

Gabe Unser. Hui Min Ang. More From C1cco. Ricky Tobing. Mark Jay Lualhati. Andreas Sihono. Jan Norton. Jorge Luis Tapia. Popular in Musical Notation. His unusually warm rapport makes you feel like hed love to go catch pizza with you after the show. Orchestration is used sparingly to highlight his piano arrangements, which are always interesting and provocative.

Schmidts original style combines Classical and New-Age sensibilities with Pop-style elements of hook and melody, or the simple genius of melody," to use Schmidts words. He is also noted for his distinctive treatment of harmony, counterpoint, and rhythm.

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These elements give his music a definite signature, one in which the fun, the sincerity, and the warmth of his personality all find themselves revealed. Also reflected, in the words of an early write-up, is depth: His music seems to carry more weight than youd expect from his years. A family tragedy quickly sobered him as a young man and that resonance of maturity shows up in his songs.

Schmidt is quick to acknowledge that his best inspiration comes from the special relationships in his life, including those with his wife, Michelle, his children and God. Jon Schmidt has quickly become well known in the Salt Lake area, where he consistently performs to sold out audiences in major performance venues along the Wasatch front.

Jons credits include five albums, four wildly popular volumes of his original piano scores, performances and radio play all over the country, several top 40 songs at mp3. About his show, one critic wrote: When the energy and volume of the show have faded, what the audience will remember is the sweetness.

After the airing of a locally televised concert , more than viewers called the station. Some of the comments were as follows: Very inspiring.

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