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Editorial Reviews. Review. A GoodReads Choice Awards Finalist for Best Romance "In a class Kindle Store · Kindle eBooks · Literature & Fiction. Editorial Reviews. Review. "Christian Grey's candid narrative gives the familiar story a raw, Kindle Store · Kindle eBooks · Literature & Fiction. Editorial Reviews. Review. "Christian Grey's candid narrative gives the familiar story a raw, Grey: Fifty Shades of Grey as Told by Christian (Fifty Shades of Grey Series Book 4) eBook: E L James: Kindle Store.

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Global Grey has free ebooks to download for Kindle or EPUB readers,as well as PDFs, no registration required. Fifty Shades of Grey: Book 1 of the Fifty Shades trilogy eBook: E L James: Kindle Store. Kindle Price: £ includes VAT*. Sold by: site Media EU S.à r.l.. This price was set by the publisher. * Unlike print books, digital books are subject to VAT.

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See F. Furnivall, Ballads from Manuscripts. There was no mention here that Jane might have erred in accepting the crown or that Guildford wished to be king despite his wife's objections. This was Jane as the embodiment of anti-Catholicism, a role she never deserted once Protestantism became fully established in England. It is very unlikely that a last minute conversion to Rome would have saved her, but to Protestants, especially puritans brought up on Foxe's Book of Martyrs , Jane died 'for faith and purity'.

In their imagination she had a Christ-like holiness, and as such could do no wrong. Jane the unrivalled scholar has been as appealing as Jane the Protestant saint.

Her surviving letters suggest that she was academically gifted, though perhaps less than a genius. But most of her champions have been influenced less by her literary remains than by Roger Ascham, who mentioned her briefly in his work The Schoolmaster, published posthumously in That Ascham wrote about their meeting at Bradgate more than a decade after the event to give support to an argument about education is rarely mentioned.

This, of course, does not make his description of Jane untrue, but one must suspect it as overblown. To Ascham she was the 'sweet and noble' lady, whose sole pleasure was the pursuit of knowledge and whose devotion to her gentle tutor Aylmer was in stark contrast to her fear of her cruel and overbearing parents.

This portrait of a sad, thoughtful girl was especially attractive to Protestants, who varnished it and hung it beside Jane the martyr.

He wrote the poem while on diplomatic service in Spain in the early s, but it was not published in England until , years after his death. Written in Latin, it describes Jane as without peer in learning, soul, or beauty and comparable with Socrates for steadfastness in the face of death.

Her 'murderer', Queen Mary, is savaged throughout. Chaloner, though a Protestant, had been in Mary's employ. Most intriguing is his assertion that Jane was pregnant at the time of her execution. Perhaps he knew something that his contemporaries did not, but it is more likely that a pregnant Jane was a deceit which made the 'marble-hearted' Mary appear all the more vile.

While most of us do not expect historical accuracy from poets, it is interesting to note how often later champions of Jane would pull Chaloner's Elegy off their shelves and hold it up as truth. One should not expect historical accuracy from playwrights any more than poets. In historical drama distortions of the subject are inevitable, for events must be condensed, complexities of doctrine and politics simplified.

Moreover, vigorous narrative must take precedence over accuracy of detail if a play is not to be dull. With Jane dramatists have sought to serve their art by turning her into a romantic heroine. The first play to do so was by John Webster and Thomas Dekker. First produced in published Lady Jane survives only in fragments, but enough remains to suggest that Webster was not writing with historians in mind.

Much is made of the trial, for instance, in which Jane and Guildford 'my Dudley mine own heart' plead for each other's lives. No defence was made in the actual trial where they both pleaded guilty. On the day of their execution Jane laments: 'My dearest Guildford, let us kiss and part'. In this fiction Jane is executed first and her head brought to Guildford. What little is known about their relationship would suggest that they were unlikely to have enjoyed one another's company, but in the theatre, as elsewhere, Jane and Guildford have been lovers ever since, perhaps in posthumous compensation for lives which seem too sad, too tragic, for us to bear.

At the end of the seventeenth century the playwright John Banks produced a more robust and sensual couple in his Innocent Usurper: or, the Death of Lady Jane Grey , republished In a fresh invention Jane accepts the crown only when Guildford threatens suicide by falling on his sword. As in Webster, a trial without a spirited defence is anathema, and the lovers plead for each other's lives.

Drawing on Chaloner's Elegy , Banks alludes to an 'abortive infant' at the end of the drama. This fitted well with the strident anti-Catholicism of the play, which was likely to suit the prejudices of England under William III. In the eighteenth century Jane takes on several fresh disguises, perhaps the most notable being her appearance in The Tragedy of the Lady Jane Grey written by the playwright and poet Nicholas Rowe.

First performed in it was dedicated to the Princess of Wales. Ingenuously, Rowe admitted that he heightened. Jane's features 'to make her more worthy of those illustrious hands to which I always intended to present her'.

Rowe's play is an encomium to a Tudor princess who might be confused for a Hanoverian, if only by a Hanoverian. The anti-Catholicism is cleverly interwoven with the plot, for Jane puts down her Plato and picks up the crown only to save English Protestantism.

At the end of the play Mary offers Jane and Guildford life in exchange for a recantation of their faith, but London was not worth a mass and they 'bend their heads with joy'. The love story is elaborate. There is more than a hint that Jane was in love with her cousin Edward VI. Just as fantastically, Jane becomes a Commonwealth queen. The works on Jane began to multiply at the end of the eighteenth century, taking on new forms and changes of interpretation.

The French and German writings on Jane are a subject in themselves. In England a host of writers, though few of any distinction, adapted her for their own purposes. The reasons for her popularity in the early nineteenth century are complex, but the peculiar configuration of anti-Catholicism, cheap print, and a large female reading public certainly played a part.

Chapbooks, female, magazines, 'histories', biographies, religious pamphlets, and children's books told her tale with didactic enthusiasm. One might expect from these works a higher level of historical accuracy than in the aforementioned plays, but most lack any spirit of genuine historical inquiry.

Most of them appear content to enlarge on Ascham's The Schoolmaster , Chaloner's Elegy , or the works of partisan churchmen. Even Nicholas Rowe is trotted out by one 'biographer' as an authority on Jane. We should not be too severe with these popular writers when many celebrated historians, who might have been expected to show more restraint, contributed their weight to the hyperbole and myth-making about Jane.

Bishop Burnet, parroting the Protestant line, called her 'the wonder of the age' in his History of the Reformation Oliver Goldsmith lifted this phrase for his History of England : 'All historians agree that the solidity of her understanding, improved by continual application, rendered her the wonder of her age. In the History of England he added his authority to Jane's romance with Guildford.

To Hume it was Guildford, so 'deserving of. Hume does admit that this was an error of judgement on Jane's part, but he is quick to excuse it. Few writers, however learned, were inclined to find fault with her. The Catholic historian John Lingard, writing in the early nineteenth century, was bold enough to find a blemish in her character she liked dresses overmuch and to remind her promoters that they seem 'to have forgotten that she was only sixteen.

Evangelical Jane is a remarkable concoction. Prim and tidy, she is not much seen on the stage in these years. Prose not poetry is her metier. Her faith is now legendary and resembles her execution dress, both spotless and both ready to be worn at moment's notice. Her promoters multiply her virtues and magnify them out of all proportion. As the Lady's Monitor declared in , she inherited 'every great, every good, every admirable quality, whether of mind, disposition, or person'.

Even the philosopher William Godwin, unremarkable for his piety but always in need of cash, wrote a hagiography of Jane for children in under the pseudonym Theophilus Marcliffe.

To Godwin, Jane was 'the most amiable and accomplished woman in Europe' and 'the most perfect model of a meritorious young creature of the female sex to be found in history'. One wonders what Mary Wollstonecraft, his wife, would have made of all this. Godwin contributed to the transformation of Jane into a model of female propriety and virtue suitable for the education of young ladies.

Written out of 'maternal feelings' it was hoped that Jane's 'character, conduct, and perseverance might create a sentiment of admiration, and, perhaps, some little emulation in the hearts of her children'.

The Lady's Monitor agreed: 'What a model for the youth of her sex does this noble girl afford'. As an educational example Jane's scholarship comes to the fore. The literary works attributed to her show her to have a knowledge of English, Latin and Greek; but drawing on Chaloner's Elegy , Jane's nineteenth-century promoters had her the mistress of eight languages, including Hebrew, Chaldee, and Arabir.

Rarely has a reputation for scholarship been so cheaply earned. Perhaps tearing that Jane would look a prig, which she must have done to many of her contemporaries, some writers neatly rounded off her education to include 'ordinary feminine' accomplishments. So this 'mild, humble, and modest spirit' was also distinguished for her skill in needlepoint and music, just like the ideal Victorian girl.

Stitching and praying, doing her lessons and practising her lute, Jane was not very sexy in the nineteenth century. The evangelicals had a weakness for heroines of romantic proportions, but they did not wish to emphasize the physical. There was no 'panting' at Guildford's side as in Banks's Innocent Usurper.

The love between them here leans heavily toward conjugal affection, a tenderness bordering on brotherly and sisterly devotion. As one writer put it, the story was 'not a love-tale, and it would be degrading to indulge in sentimental effusions'. To get the free app, enter your mobile phone number.

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Kindle turns five: independent women thrive in ebook bestseller charts

Page 1 of 1 Start over Page 1 of 1. Melanie Moreland. Darker - Fifty Shades of Grey. E L James. Beg For It Part One. Ella London. My Life in Shambles: A Standalone Romance. Karina Halle. Editorial Reviews Review "Christian Grey's candid narrative gives the familiar story a raw, passionate and much sexier context She displays a compelling blend of vulnerability and backbone and finally feels like a character women can get behind Best of all the book allows readers direct access to Christian Grey's deepest, darkest thoughts It is fascinating to read the story with fresh eyes too, having glimpsed Christian's traumatic childhood and gained an understanding of his motivations.

More realistic and far racier than anything EL James has written before, Grey was definitely worth the wait. Frankly it gives the first three books a much-deserved spanking.

After twenty-five years working in TV, E L James decided to pursue her childhood dream, and set out to write stories that readers would fall in love with. The result was the sensuous romance "Fifty Shades of Grey "and its two sequels, "Fifty Shades Darker" and "Fifty Shades Freed, "a trilogy that went on to sell more than million copies worldwide in 52 languages. She continues to write novels while acting as producer on the upcoming movie versions of "Fifty Shades Darker" and "Fifty Shades Freed.

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Product details File Size: Cornerstone Digital June 18, Publication Date: June 18, Language: English ASIN: Enabled X-Ray: Romance Novels. Book Series. Is this feature helpful? Thank you for your feedback. Share your thoughts with other customers.

Write a customer review. Customer images. See all customer images. Read reviews that mention fifty shades christians point christian grey christians pov looking forward side of the story really enjoyed told by christian christians perspective even though christians point loved reading much better must read mrs robinson absolutely loved highly recommend love love love nothing new read the books.

Showing of 14, reviews. Top Reviews Most recent Top Reviews. There was a problem filtering reviews right now. Please try again later. Kindle Edition Verified download. People either loved it or hated it. But, I like many others, just had to know what all this talk was about. So I took a chance and ordered all three paperbacks. I fell totally and completely in love with Ana and Christian, I mean head over heels in love!

Watching this man fall in love and be willing to give up everything he knows and feels he needs because of his love for Ana is just everything!

Job, well done, Ms. Some things to know up front: This is a retelling. If you've read the other novels it will seem somewhat repetitive but I mean what did you expect?

You knew what this was before you read it. This is still a kinky, messed up, etc. If you didn't like the first novels I don't see why you would like this one. This type of book isn't for everyone. It doesn't mean it's bad, it just boils down to what you personally like. I actually loved this book. I read the original Fifty Shades of Grey and was apathetic about it. I found Anastasia and Christian to sometimes be annoying and unrelatable. I especially disliked Christian. I couldn't imagine why any woman would want to be with someone like him.

However reading Grey, I absolutely love Christian now. I don't know what it is, but seeing everything through his eyes made me sympathetic toward him. I found him to be more charming and sexy this time around.

Ana is also much more likable in this version.

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She seems mysterious, strong, sexy and lovable. Her annoying features pretty much disappeared for me. In Fifty Shades of Grey their relationship never made sense to me. Ana always questioned everything and Christian spent most of his time annoyed with Ana and complaining.

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